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Future Genesis

1 brief 2 making 3 result

Visions of the Future, Written from Echoes of the Past

01

Brief

Continuing an Oakley story from 1992, 30 years later!

Commissioned by Kamp Grizzly and Oakley, the creative team was tasked with helping launch Future Genesis—an ambitious new narrative platform designed to reintroduce the brand’s iconic 1990s character, Max Fearlight, while ushering in a new generation through the introduction of his daughter, Maxine. Set within a richly imagined sci-fi universe, the project explored the relationship between Oakley’s disruptive past and its vision for the future, blending cinematic storytelling, character-driven worldbuilding and high-end CG to create a new chapter in the brand’s evolving identity. The campaign formed the foundation of a much broader storytelling initiative spanning future films, products, activations and brand experiences, positioning Future Genesis as a long-term creative direction for Oakley rather than a traditional marketing campaign.

02

Making

Every detail engineered for the Oakley universe.

Creating a believable future for one of the world’s most iconic brands required an end-to-end CG pipeline that combined technical precision with an obsessive attention to detail. From character development and facial performance to environments, effects and cinematography, every element was carefully crafted to feel uniquely Oakley. Particular consideration was given to visual motifs that connected the narrative together, such as the colours of Maxine’s eyewear subtly echoing the energy and palette of the surrounding storm, reinforcing the relationship between character, product and world. The goal was never simply to showcase a pair of sunglasses, but to build a believable universe around them that felt authentic to Oakley’s disruptive spirit and future-facing vision.

The project was built primarily in Houdini, where environments, procedural systems and large-scale effects were developed, while character animation was keyframed in Maya to give performances a more deliberate and cinematic quality. Rendering was handled through a combination of Redshift, Arnold and Unreal Engine, allowing the team to balance visual fidelity with rapid iteration. Beyond the technical execution, significant design effort was invested into costumes, vehicles, architecture and user interfaces, ensuring every asset felt part of a coherent world. The final imagery was composited in Nuke and graded in DaVinci Resolve, with lighting playing a critical role in shaping the atmosphere and elevating the premium, futuristic aesthetic that defined the campaign.

 

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03

Result

Turning nostalgia into global engagement.

The campaign delivered exceptional global engagement, demonstrating the power of long-form brand storytelling within a social-first landscape. Across platforms, Future Genesis generated more than 85.9 million impressions, including 28.5 million Instagram views and 58.5 million TikTok views, helping Oakley reconnect with existing fans while introducing the Fearlight mythology to an entirely new generation. More importantly, the project successfully transformed a nostalgic brand asset into a contemporary narrative universe, proving that character-led storytelling could still play a meaningful role in modern brand building. The scale of the response reinforced Oakley’s appetite for ambitious creative work and established Future Genesis as a successful foundation for future campaigns, product launches and audience engagement.

Quote from kev or client here
Master
of the Universe

Credits

Client/Legal
Oakley
©2022
Factory Fifteen
Kev McCrae Creative Director
Debbie ferguson Executive producer
scott taylor producer
tachel carroll writer
alex rych art director
eve ventrue character concept artist
antonio esparza lead character artist
conor kennedy burke production coordinator
agathe leroux storyboard artist
akex figini lead concept artist
oskar fulop environment artist
craig simmers environment artist
ignasi casas 3d generalist
lucas salamon rigging artist
steven cormann lead dmp artist
luke angus animation supervisor
dominic brookes UI artist
ross sneddon fui arrtist
dan harper fx artist
adam priester fx artist
simon reher zgonjanin fx artist
boyang yu cfx artist
abby barr lead compositor
peter mao compositor
Collaborators
Kamp Grizzly Agency
aeph music & sound design
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